By close analysis of the language Essay

This poignant monologue from Richard is a series of thoughts which he speaks loud as he ponders on what it to become of him. Richard is a king with extremes of emotion, and so a monologue from him is always full of poetic devices and ornamentation of language, as he conveys his emotions rather than facts. In this case, his violent change of mood leaves his epic and depressed, as he begins to convince him ego that Bolingbroke has usurped his throne once and for all, and Richard prepares to resign himself to each an existence of poverty and shame, or an untimely and undignified finis.The repetition of the password king emphasises Richards pride of his title, and his bitterness in lo burble it. The word is apply sarcastically as Richard remarks on the king doing what he must, when it should be the king giving orders. The line A gods name, permit it go could hint that Richard is relieved to no longer be king, as let it go could suggest dropping a burden.However, the line is ince rtain as it could also show Richard finding it difficult to let go and move on. The word let in any case however, shows Richards ack presentlyledgement that it is his responsibility to allow his title to be removed, and that the space could be seen as abdication as easily as it could be called usurpation. This is funny however, as Richard is quick to blame others for his inability to rule a rural and keep order.The anaphora used by Richard as he starts some(prenominal) consecutive lines with my, then states what each item will be exchange for, is an effective rhetoric device because it makes his actors line mnemonic, and emphasises how strongly he feels close having to give up everything which belongs to him. Richard is exaggerating his situation in a moment of self-pity, viewing his pessimistic attitude. He believes he is being forced into a proletarian existence. The fact that he does not use the royal we also shows that he is humbled by the situation.However, he is still obsessed by his justly to call certain things his throw he is ever possessive and urgently clinging to what is rightfully his. Richard then proceeds to talk about death and my coarse kingdom for a little expunge, a little, little grave, an obscure grave. This reference shows that Richards view of his situation is utterly negative, and he now believes he is doomed to death as well as believe his throne has been snatched from him. This repetition shows his tendency to exaggerate situations.Not once has his death been suggested in fact, Bolingbroke deliberately makes it clear that his motives in confronting Richard are peaceful, that he is provided there to claim that which rightfully belonged to his father, John of Gaunt. It is Richards view of the situation which turns this scene into an apparent potential confrontation, and it is Richards view which portrays Henry Bolingbroke as a violent and unfair throne usurper and destroyer of Richards life.Richards view of this situation i s entirely distorted, as he is incompetent of sense and reason, letting his emotional instability block out honesty and justice. This habit of blowing matter out of proportion is further revealed by Richards conceit, or exaggerated metaphor, of creating devil graves from his tears wearing outside(a) the earth. This shows Richards view of the situation to be not only super morbid, but also utterly absurd. Yet it is likely that Richard says this in jest, albeit it attention-seeking and self pitying humour.Yet it seems that Richards humour is not even to his cause taste, but instead for the sake of others. Richard says this to make Aumerle laugh, screening the contrast as Aumerle finds humour in Richards over-exaggeration, yet from what Richard has said previously, it seems that he believes his own words. Richard is also bitter and sarcastic in calling Bolingbroke King, showing his firm belief that there is no other possible outcome. The speech is written in blank verse except fo r the last two lines which form a couplet.This adds to the memorability of the speech, and also shows Richards macabre humour. In lines 178-183, Richard makes a classical reference to Phaethon, showing the depth of thought with which he has considered his predicament. The repetition of down conveys his ever-declining outlook, as he is now convinced he has disordered all power. The final couplet, Down court, down king, For night-owls screech where mounting larks should sing shows how wrong Richard sees the situation as. The word shriek is also onomatopoeic and harsh, imparting Richards mental torment.